At The New York Times Book Review, we write about thousands of books every year. Many of them are good. Some are even great. But we get that sometimes you just want to know, “What should I read that is good or great for me?”

Well, here you go — a running list of some of the year’s best, most interesting, most talked-about books. Check back next month to see what we’ve added.

(For more recommendations, subscribe to our Read Like the Wind newsletter, check out our romance columnist’s favorite books of the year so far or visit our What to Read page.)

The first comprehensive biography of Martin Luther King Jr. in decades, Eig’s book draws on a landslide of recently released government documents as well as letters and interviews. This is a book worthy of its subject: both an intimate study of a complex and flawed human being and a journalistic account of a civil rights titan.

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Page, known for his roles in “Juno” and “Inception,” came out as trans in late 2020. In this “brutally honest” memoir, he recounts the fears and obstacles to gender transition — and the hard-won happiness that’s followed.

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The relationships at the center of Ciuraru’s lively and absorbing new literary history vary widely, but are united by questions of ego and agency, competition and resentment. In most cases, unsurprisingly, the female creative got the short end of the stick.

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The people in this darkly funny book include fabulists, truth tellers, combatants, whistle-blowers. Like many of us, they have left traces of themselves in the digital ether by making a phone call, texting a friend, looking up something online. Howley writes about the national security state and those who get entangled in it — Edward Snowden, Chelsea Manning and Reality Winner all figure into Howley’s riveting account.

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The central claim of this manifesto by the Princeton sociologist (who won a Pulitzer Prize for his 2016 book “Evicted,” about exploitation in Milwaukee’s poorest housing market) is that poverty in the United States is the product not only of larger economic shifts, but of choices and actions by more fortunate Americans.

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In this action-packed novel from a Booker Prize winner, a collective of activist gardeners crosses paths with a billionaire doomsday prepper on land they each want for different purposes. The billionaire decides to support the collective, citing common interests, but some of the activists suspect ulterior motives.

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Verghese’s first novel since the enormously successful “Cutting for Stone” follows generations of a family across 77 years in southwestern India as they contend with political strife and other troubles — capped by a shocking discovery the matriarch’s granddaughter, a doctor, will make. At over 700 pages, this is a long saga — but the author’s gift for suspense, and his easy relationship to language, helps the story fly by.

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In his earlier thrillers, Cosby worked the outlaw side of the crime/suspense genre. In his new one — about a Black sheriff in a rural Southern town, searching for a serial killer who tortures Black children — he’s written a crackling good police procedural.

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Jackson’s smart, dishy debut novel embeds readers in an upper-crust Brooklyn Heights family — its real estate, its secrets, its just-like-you-and-me problems (which threaten to weaken the clan’s stiffest upper lip). Does money buy happiness? “Pineapple Street” asks a better question: Does it buy honesty?

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It’s 1915 when Adelaide, a young Black woman, makes her way from California to the Montana wilds in the wake of a family tragedy. As she establishes herself as a homesteader, adjusting to the isolation and wide open spaces, the contents of a locked steamer trunk — and some dark secrets — weigh heavily on her conscience.

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In the second novel in Mosley’s King Oliver series, a Black private detective in New York investigates whether the government framed a prominent white supremacist. The plot gets more intricate the more he digs, with prison contractors, alt-right militias and Russian oil traffickers all in play.

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Rushdie’s new novel recounts the long life of Pampa Kampana, who creates an empire from magic seeds in 14th-century India. Her world is one of peace, where men and women are equal and all faiths welcome, but the story Rushdie tells is of a state that forever fails to live up to its ideals.

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In her radiant and brilliantly crafted fourth novel, Napolitano puts a fresh spin on a classic tale of four sisters and the man who joins their family. Take “Little Women,” move it to modern-day Chicago, add more intrigue, lots of basketball and a different kind of boy next door and you’ve got the bones of this thoroughly original story.

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